INDIGO DESIGN WINNER 2022

INDIGO DESIGN WINNER 2022

INDIGO DESIGN WINNER 2022

INDIGO DESIGN WINNER 2022

INDIGO DESIGN WINNER 2022

INDIGO DESIGN WINNER 2022

INDIGO DESIGN WINNER 2022

INDIGO DESIGN WINNER 2022

Visions

/by Simon Fréour

Indigo Design Award: Visions

2022 Student Winner

Gold Winner in Merchandise Design for Graphic Design

Silver Winner in Branding for Retailer

Silver Winner in Branding for Graphic Design

Created by:

Lead Designer

Simon Fréour

University or Design School

Shillington NYC

Client

Analogue photography store (fictional)

Credits:

Individual Credits

Graphic Design Teacher: Kim Melvin

Graphic Design Teacher: Thiago Eichner

Description

I was tasked with designing the brand identity for a fictional analogue photography store in Melbourne’s Fitzroy district. The store would offer a curated range of products as well as group photography workshop sessions. The client’s desire was to create a lively environment for clients of all levels to learn and practice the imperfect art of analogue photography. They wanted to stay away from obvious retro aesthetics and camera-based clichés. I chose to specifically target creative people that feel frustrated because they haven’t found their ideal creative outlet yet. What might deter them from photography is the feeling that everything has been photographed already, so I decided to change the narrative: photography isn’t so much about what you’re aiming your camera at, it is about what is in your head. Photographers are merely using the real world as inspiration to create imaginary worlds. The lens becomes a portal to these mysterious worlds, and a truly expressive (albeit imperfect) image of these worlds can only be captured on film. I turned to the rich graphic world of esotericism and looked for solutions that felt mystical and contemplative. I landed on a brand name, Visions, that equates the photographer to a soothsayer, and on a gate-shaped logo enclosing a camera diaphragm and the brand name (set in All Round Gothic). I then reused the logo’s round shape and a specific grain-based image treatment to show how photography reveals the truth. A single accent color is used for titles, which are set in Pangram Pangram’s Migra. Supporting copy is set in Neue Kabel. A few star-shaped graphic elements provide support where necessary.

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